OH do you have time
to linger
for just a little while
out of your busy
and very important day
for the goldfinches
that have gathered
in a field of thistles
for a musical battle,
to see who can sing
the highest note,
or the lowest,
or the most expressive of mirth,
or the most tender?
Their strong, blunt beaks
drink the air
as they strive
melodiously
not for your sake
and not for mine
and not for the sake of winning
but for sheer delight and gratitude –
believe us, they say,
it is a serious thing
just to be alive
on this fresh morning
in the broken world.
I beg of you,
do not walk by
without pausing
to attend to this
rather ridiculous performance.
It could mean something.
It could mean everything.
It could be what Rilke meant, when he wrote:
You must change your life.
MARY MERRY
Mary has a way of
making Merry
that allows a
marrying between
Who we are
and Who we’ve yet to Recognize
The Who we are now
in a Forest yet to be walked
A Lake yet to be swam
A bird, an animal yet to be
Observed or named
A Universe yet to know
Another Sun’s rays
A poem
not yet to be written
even as it ever is being
composed
not so deeply within us
as it rises to surfaces
waiting to support
new FoundationsIt was the birthday of best-selling poet Mary Oliver, on September 10; she was born in Maple Heights, Ohio (1935). As a child, she spent most of her time outside, wandering around the woods, reading and writing poems.
Oliver went to college in the ’50s at Ohio State University and Vassar, but dropped out. She made a pilgrimage to visit Edna St. Vincent Millay’s 800-acre estate in Austerlitz, New York. The poet had been dead for several years, but Millay’s sister Norma lived there along with her husband. Mary Oliver and Norma hit it off, and Oliver lived there for years, helping out on the estate, keeping Norma company, and working on her own writing. In 1958, a woman named Molly Malone Cook came to visit Norma while Oliver was there, and the two fell in love. A few years later, they moved together to Provincetown, Massachusetts.
Oliver said: “I was very careful never to take an interesting job. Not an interesting one. I took lots of jobs. But if you have an interesting job you get interested in it. I also began in those years to keep early hours. […] If anybody has a job and starts at 9, there’s no reason why they can’t get up at 4:30 or 5 and write for a couple of hours, and give their employers their second-best effort of the day — which is what I did.”
She published five books of poetry, and still almost no one had heard of her. She doesn’t remember ever having given a reading before 1984, which is the year that she was doing dishes one evening when the phone rang and it was someone calling to tell her that her most recent book, American Primitive (1983), had won the Pulitzer Prize. Suddenly, she was famous. She didn’t really like the fame — she didn’t give many interviews, didn’t want to be in the news. She once wrote in an introduction to a poetry collection, “I have felt all my life that I was wise, and tasteful, too, to speak very little about myself — to deflect the curiosity in the personal self that descends upon writers, especially in this country and at this time, from both casual and avid readers.”
When editors called their house for Oliver, Cook would answer, announce that she was going to get Oliver, fake footsteps, and then get back on the phone and pretend to be the poet — all so that Oliver didn’t have to talk on the phone to strangers, something she did not enjoy. Cook was a photographer, and she was also Oliver’s literary agent. They stayed together for more than 40 years, until Cook’s death in 2005.
Oliver said: “I’ve always wanted to write poems and nothing else. There were times over the years when life was not easy, but if you’re working a few hours a day and you’ve got a good book to read, and you can go outside to the beach and dig for clams, you’re okay.”
Oliver’s books of poems include No Voyage (1963), The River Styx, Ohio, and Other Poems (1972), Twelve Moons (1978), The Leaf and the Cloud (2000), Owls and Other Fantasies (2003), Red Bird (2008), Dog Songs (2013), and Velocity (2015). Her most recent collection, Devotions, comes out in October of this year.
#TheWritersAlmanac
I’ve always been a Mary Oliver fan
but I’ll also admit that I’ve read much more of her
now that she’s dead
than when she was alive
I suppose which not only makes her
not only more Alive
than ALIVE
but still doing
what she did the best
(and still is)
S H A R E
As I page
through this Anthology
I often have a rainbow of feelings
as she gently pulls off the scabs
of some of my most tenderest wounds:
The Uses of Sorrow | Mary Oliver
(In my sleep I dreamed this poem)
Someone I loved once gave me
a box full of darkness.It took me years to understand
that this, too, was a gift.
No matter what the poem,
Mary has a way of letting us know that
when you need a prayer
notice that nothing all around you
is miraculously short of that
with the worldly unspoken invitation:
WHEN YOU DON’T HAVE A PRAYER
B E
O N E
(The only true prayer you’ll ever need
is the one you are)
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