Sometimes a mere 7 minute short film can make you feel more than a 3 hour movie or a 14oo hundred page book
Sometime a mere one small step is the biggest leap your soul can ever experience or
Allow someone else to ever understand. . .
Who Cares - What Matters
C O N G R A T U L A T I O N S
(or not)
It’s Friday, JANUARY 9th, 2026
NATIONAL QUITTERS DAY. . .
It’s always the second Friday in January
and yes. . .
just in case you plan on not celebrating
No WORRIES–
Monday, January 12th is
NATIONAL DITCH NEW YEAR’S RESOLUTION DAY
. . .uhhhh, most likely you might miss noticing
THAT DAY, too
b u t
“Early slips do not predict failure,” says Norcross, who also authored the study about resolutions. “In fact, many ultimately successful resolvers report—even as they experience them—that the early slips strengthen their resolutions.”
ARE YOU ONE OF THE QUITTERS
ARE YOU ONE OF THE DITCHERS
Lot of questions. . .
especially when it surrounds
R E S O L U T I O N S. . .
DO YOU
Make T H E M
Keep T H E M
Break T H E M
. . .Uhhhhhhhhhh just like everything else. . .
There’s a SCIENCE
To Resolutions
and Most Definitely why they most likely don’t work. . .
GOOD NEWS ?
Only If there’s another alternative. . .
one that
T H E S T U D I E S
tell us are much more effective:
H A B I T S
How many New Year’s resolutions have you made in your life? How many have you successfully accomplished? The estimate is that less than 10% of New Year’s resolutions are actually achieved so says the good Psychology Professor John C. Norcross, Ph.D.). There’s a lot of homespun folksy advice out there this time of year about how to make sure you reach your New Year’s goals, but I thought I’d share the actual science of how to change behavior.
There’s two main lines of brain and behavior science that influence New Year’s resolutions: The science of habits and the science of self-stories.
Let’s start with the science of habits
A lot of New Year’s resolutions have to do with making new habits or changing existing ones. If your resolutions are around things like eating healthier, exercising more, drinkingless, quitting smoking, texting less, spending more time “unplugged” or any number of other “automatic” behaviors then we are talking about changing existing habits or making new habits. Habits are automatic, “conditioned” responses. You get up in the morning and stop at Starbucks for a pastry and a latte. You go home at the end of work and plop down in front of the TV. Here’s what you need to know about the science of changing existing habits or making new ones:
To create a new habit you have to follow these three steps (based on B.J. Fogg and Charles Duhigg)
If you take these three steps and you practice them 3 to 7 days in a row your new habit will be established.
Now let’s tackle the science of self-stories
The best (and some would say the only) way to get a large and long-term behavior change, is by changing your self-story.
Everyone has stories about themselves that drive their behavior. You have an idea of who you are and what’s important to you. Essentially you have a “story” operating about yourself at all times. These self-stories have a powerful influence on decisions and actions.
Whether you realize it or not, you make decisions based on staying true to your self-stories. Most of this decision-making based on self-stories happens unconsciously. You strive to be consistent. You want to make decisions that match your idea of who you are. When you make a decision or act in a way that fits your self-story, the decision or action will feel right. When you make a decision or act in a way that doesn’t fit your self-story you feel uncomfortable.
If you want to change your behavior and make the change stick, then you need to first change the underlying self-story that is operating. Do you want to be more optimistic? Then you’d better have an operating self-story that says you are an optimistic person. Want to join your local community band? Then you’ll need a self-story where you are outgoing and musical.
In his book, Redirect, Timothy Wilson describes a large body of impressive research of how stories can change behavior long-term. One technique he has researched is “story-editing”:
The technique of story-editing is so simple that it doesn’t seem possible that it can result in such deep and profound change. But the research shows that one re-written self-story can make all the difference.
I’ve tried both of these techniques — creating new habits using the 3-step method, and creating a new self-story. The research shows they work, and my own experience shows they work.
Give it a try. What have you got to lose? This year use science to create and stick to your New Year’s resolutions.
What do you think? What has worked for you in keeping your resolutions?
References
Timothy Wilson’s book, Redirect
Charles Duhigg’s book, The Power of Habit:
PIECE OF CAKE ?
Ooops. . .
Maybe the wrong kind of analogy, huh?
But if you’re going to get tough once and for all
on Resolutions
just 9 days into a brand New Year:
This BOOK is your Life
Your’s to CHOOSE
Your’s to DECIDE
Your’s to DETERMINE
If it’s open
If pages are to be Turned
If Chapters are to be RIPPED OUT
If Paragraphs are to be Deleted
If Sentences are to be Blackend-Out
Y O U R ‘ S
A brand new year
not because it’s 10 Days old
and very much in its Infancy
A B R A N D N E W Y E A R
b e c a u s e
. . .and so now the only
real question that makes any difference
this year
last year
next year
RIGHT NOW
i s
WHAT ARE YOU GOING TO DO ABOUT IT ?
NATIONAL QUITTERS DAY
NATIONAL DITCH YOUR NEW YEAR’S RESOLUTION DAY
Hmmmmmmmmmmmmmmmmmmm. . .
You want a good Resolution?
Make a Resolution to be a
NO-SHOW
for those celebrations
(MAKE A HABIT OF IT)
QUIT THAT!
There are as many ways to describe
JOY
as there are as many people there are to explain it. . .

yet no matter how we define
J O Y
without a doubt
and not so much unbelievably so
it needs some assembly required. .
.
Another question
and maybe the biggest one
concerning
J O Y
might be,
is it worth it
and the answer. . .
well the answer is
what we always know
in just a moment
. . .don’t we?
(WITH NO LICENSE TO SHARE NECESSARY)
. . .And JUST LIKE THAT
it’s 2026
A NEW YEAR
a spanking five days old
Whether a new year fills you with excitement or dread
(or maybe a mix of both!)
the hope is that when you look back on
2 0 2 5
there are too many wonderful moments to count
which serve has the greatest foundation
for new memories to be
m a d e. . .
ALL WAYS
Remembering that

which are gentle reminders
between old and new years of

Letting us each know in between all of the Seasons
Past
Present
Prospective
“May God bless and keep you always
May your wishes all come true
May you always do for others
And let others do for you
May you build a ladder to the stars
And climb on every rung
May you stay forever young
May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the lights surrounding you
May you always be courageous
Stand upright and be strong
And may you stay forever young
May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift
May your heart always be joyful
May your song always be sung
And may you stay forever young.”
And may you stay forever young.”
Photo in New York, by John Cohen (1962)
Here’s hoping
the New Year exceeds your expectations
and a tad past your
i M a G i N a T i O n
How ridiculous, right? A Christmas tree that could talk, that would have a message for any of us. . ,.well, I’ll ask again what the video just asked you: “What would your Christmas tree share with you lit or un lit?”
Can you hear it whisper from the past?
Is it echoing the same message?
What would you want it to tell you?
What do you need it to share?
Is it just your message and your message alone or is it worth sharing with others?
Now that tree’s are finding their way to curbsides and boxes maybe it’s sending out a little something for all of us from something that doesn’t come from a farm or a forest but shares something from the ROOT of all of us:
SOMETIMES THE BEST WAY TO LOOK AHEAD
IS SEEING BEHIND. . .
There’s a reason why the
REAR VIEW MIRROR
is smaller than the
WINDSHIELD. . .
it’s not so much understanding
t h a t
or knowing
I T
as
ACTING
LIKE
IT
Don’t live your life in a
B O X
with a number in it
or worse. . .
A CALENDAR OF A DIFFERENT YEAR
. . .look back to see ahead
and keep your spark
bursting brightly
around you
for the
oohing and aahing
of
A L L
It’s often called, THE SEASON OF LIGHTS and it’s more reflective than just a particular thought or some kind of spirituality or anything attempted to be contained in a religion.
Fact: WE ALL HAVE THE CAPACITY TO NOT JUST HOLD LIGHT, BUT TO SHARE IT.~~ and the biggest challenge of all just may be, WILL WE or better still. . . DO WE?
Your very next ACT determines the answer to that question. . .
SEE . . BE. . .FREE
that magnificent illumination the world desperately needs and you so absolutely have to share. . .
Holding a Light
means little
if you’re not will to share it. . .
So very, very
s i m p l y
Did you miss it?? Did you even see what you thought you were going to miss? Do you have a slightest idea of what I’m even talking about right now?
We have seen IT’S A WONDERFUL LIFE countless times ever since it came out in 1943 and when I watched it the other night I saw something that I’ve never seen in all the times that I’ve seen it and I don’t know about you, but I think it will make all the difference in the way that I celebrate Christmas this year and more importantly live every day live every day for the rest of my life in all the Christmases and years ahead.
Dare I say that it could just quite possibly be THE TWELVE WORDS of Christmas in addition to The Twelve Days of Christmas?
Did you see it when everybody was losing their minds and when Potter was making the deal of all deals; it wasn’t what was spoken. IT was what was hanging on the wall in George’s office, not so much as a motto, but a personal creed on how to live our lives. . .how to recognize what is important
And BA-BOOM~~ just like that there was a simple sign with the mere 12 words
Ahhhhhhhh. . .the 12 words that unnoticeably hang in the office of George Bailey that he obviously lived his life by. . .
TWLEVE simple words for TWELVE months that one year only last forever and every heartbeat that we have and more importantly~~GIVE!
So you see, here is the question, not just during the season of Lights, but the season of Giving which is not a Season really but a true lifestyle:
Do you live by these words. . . and now, the most important question of all. . .WILL YOU?
It might just be the difference between a Scary Christmas or a Merry Christmas that we always try to hold onto and never
quite can grasp. . .
Frank Capra did not find the idea for the angel in It’s a Wonderful Life through a moment of divine intervention or an encounter with a mysterious stranger. The real story is quieter, stranger in its own way, and rooted in a sequence of small accidents that changed film history. It began in 1939, with a frustrated writer named Philip Van Doren Stern, who couldn’t get his short story published. He had written a tale called “The Greatest Gift,” the story of a man who wishes he had never been born and is shown the value of his life by a supernatural visitor. Magazine after magazine rejected it. Editors praised the charm and message, but they didn’t know where to place it. Stern found himself holding a story he believed in, but with nowhere for it to go.
So he did something unusual. He printed 200 small copies of the story as a Christmas booklet and mailed them to his friends and colleagues. What he couldn’t have predicted was that this humble, homemade gesture would eventually shape one of the most beloved films ever made. One of those pamphlets passed from hand to hand until it reached RKO Pictures. The studio bought the rights, then immediately got stuck. They tried multiple drafts, none of which captured the emotional core of Stern’s story. The project stagnated. The booklet sat on a shelf—quiet, unassuming, forgotten.
Everything changed when Frank Capra returned from World War II in 1945. He came home physically drained and emotionally shaken, unsure whether Hollywood stories could still matter after everything he’d witnessed. He admitted, “I needed a story that meant something. Something human.” When RKO, eager to clear unused properties, handed him Stern’s forgotten booklet, Capra read it in a single sitting. The effect was immediate. “I knew right away—this was the story,” he later said. “It was simple, profound, and spiritual without telling anyone what to believe.”
The angel was already present in Stern’s original story, but only as a shadow of what Clarence would become. Stern’s figure was more mysterious, less humorous, and served mainly as a narrative device. Capra saw potential in this character, but he wanted someone warmer, gentler, more disarming. He said, “I didn’t want an angel out of marble.
I wanted an angel with wrinkles, with worries, with a heart.” This became the defining insight. Capra felt that the message of the story—that every life touches countless others—would land more softly and more powerfully if delivered by a flawed, earnest, almost childlike guardian.
Working with his team of writers, Capra reshaped the angel into Clarence Odbody: a lovable, slightly bumbling spirit who still hadn’t earned his wings. He believed audiences would trust Clarence more if he wasn’t perfect. “An angel who needs help,” Capra joked, “is often the right one to help us.” When Henry Travers was cast as Clarence, Capra felt an immediate calm. Travers brought a humble sweetness that perfectly matched the director’s vision. Capra later said, “He gave Clarence something the script had no words for—kindness.”
As he built the character, Capra infused him with his own post-war emotions. He had seen despair, seen men lose faith in themselves, and he wanted Clarence to stand as a quiet rebuttal to that darkness. The angel wasn’t just a plot device. He was the embodiment of Capra’s belief that no life is meaningless, no matter how ordinary. “The world had too much cynicism,” Capra said. “I wanted to put a little hope back into it.”
Though the film struggled financially upon release, Clarence quickly became one of the most beloved angels in cinema. It wasn’t because he was grand or powerful, but because he was gentle. He represented the small voice people rarely hear—the reminder that they matter. Capra often credited Stern for planting the seed. “Philip Van Doren Stern gave me the gift,” he said. “I only unwrapped it.”
In the end, the idea of Clarence didn’t descend from heaven. It traveled through mailboxes, rejection letters, studio drawers, and one director’s aching heart before becoming the angel who would save George Bailey, and countless viewers, for generations to come.
Psssssssssssssssssssssssst. . .
Maybe there’s a little CLARENCE in all of us
with a George Bailey waiting to be saved. . .
(with the best gift of all awaiting to not be given but continually unwrapped:
K I N D N E S S)